Diana, rewritten and erased

Sniggers over the recent biopic are part of a greater perception of Princess Diana herself – as an embarrassment to be forgotten.

The Princess Diana biopic has bombed in the US, making only the equivalent of £40,000 from initial screenings in 38 cinemas in its first weekend. It is tempting to conclude that America has finally fallen out of love with Diana. But much more likely is that potential audiences were deterred by the panning the film has received on both sides of the Atlantic.

I kept away from the film when it was released in British cinemas for precisely the same reason: it sounded cringe-making. Yet even as I kept away, I was puzzled by the wall-to-wall contempt it had provoked. Yasmin Alibhai-Brown, writing in the Independent on Sunday, found the critical sniggering excessive too; was it, she asked, because some elements of the story, especially Diana’s intimacy with a Pakistani doctor, were still unsettling?


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